HOTEL RWANDA: INDIVIDUAL HEROISM OR INTERCONNECTEDNESS IN THE PORTRAYAL OF PAUL RUSESABAGINA?

Marthie Momberg

Abstract


 Why does the protagonist in the film ‘Hotel Rwanda’ (2004) shelter almost 1300 refugees and in the process risk his own life? Most critics say it is because Paul Rusesabagina is a hero. Yet heroism as an individual act of courage may not be the only answer. I argue that an inclusive enactment of interconnected, communal belonging opens up the possibility to understand facets of Rusesabagina’s bravery as a spiritual choice. To fail to consider clues from the Rwandese society and its heritage may, even with the best of intentions to do the opposite, result in projections of the self that compound the tragedy of othering in the Rwandan genocide of 1994 when the world turned a blind eye to the massacre.


Keywords


Hotel Rwanda; heroism; interconnectedness; existential symbols; film interpretation

Full Text:

PDF


DOI: https://doi.org/10.7833/115-0-1176

Refbacks

  • There are currently no refbacks.



ISSN 2305-445X (online); ISSN 0254-1807 (print)

Attribution CC BY-NC-ND 4.0


Powered by OJS and hosted by Stellenbosch University Library and Information Service since 2013.


Disclaimer:

This journal is hosted by the SU LIS on request of the journal owner/editor. The SU LIS takes no responsibility for the content published within this journal, and disclaim all liability arising out of the use of or inability to use the information contained herein. We assume no responsibility, and shall not be liable for any breaches of agreement with other publishers/hosts.

SUNJournals Help